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Get PDF Translating Modernism: Fitzgerald and Hemingway
Richard Hofstadter. Tools Request permission Export citation Add to favorites Track citation. Share Give access Share full text access. Share full text access. Please review our Terms and Conditions of Use and check box below to share full-text version of article. Close Figure Viewer. Browse All Figures Return to Figure. Ronald Berman probes the work of three writers who wrestled with one or more of these issues in ways of lasting significance.
Hemingway, Fitzgerald, and Orwell all grappled with fluid notions of time: Hemingway's absolute present, Fitzgerald's obsession with what might be and what might have been, and Orwell's concerns with progress. For these authors, progress is also tied to competing senses of place--for Fitzgerald, the North versus the South; for Hemingway, America versus Europe.
About Chicago and the Making of American Modernism
At stake for each is an understanding of what constitutes true civilization in a post-war world. Volume 7 , Issue 1. The full text of this article hosted at iucr. If you do not receive an email within 10 minutes, your email address may not be registered, and you may need to create a new Wiley Online Library account.
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Chicago and the Making of American Modernism
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